Editing interview and documentary footage with AI: from raw shoot to rough cut
Short answer
FlashCut speeds up the slow first pass on interview and documentary footage. It transcribes and labels speakers, logs and searches every shot, proposes several narrative cuts from one shoot, lets clients review them, and hands the chosen cut to Premiere Pro, DaVinci Resolve or Final Cut Pro for finishing.
Updated

- Open a narrative to see its soundbites and where each sits in the footage
- Switch the length to 90, 60 or 30 seconds and different moments light up
- Share with client for a password-protected review, then export to your editor
The problem with raw interview footage
A long interview shoot leaves an editor with hours of footage to watch, log and shortlist before any story exists. The first pass is slow, and every additional deliverable (a 90-second cut, a 30-second cut, a social version) means starting a new search through the same material.
A workflow from upload to finishing
- Upload once. FlashCut transcribes every word and labels each speaker.
- Footage is logged on arrival: shot type, scene and location, with interviews sorted to A-roll and cutaways to B-roll.
- Search by what you remember, what was said or what was shown, and jump to the shot.
- Get Narratives to see several storylines from the same shoot, each with 90, 60 and 30-second versions.
- Refine by chat, or edit the transcript by reading instead of scrubbing.
- Share the narratives with the client through a password-protected link and read their reactions on your board.
- Export Premiere Pro XML or FCPXML and finish in your editor.
Where FlashCut stops
FlashCut is built for the first pass, not to replace your editing software. Color, sound mix and final polish still happen in Premiere Pro, DaVinci Resolve or Final Cut Pro. The XML and FCPXML exports reference your original footage, so the hand-off is near-instant and nothing is re-encoded.
Who it suits
- Documentary and corporate video teams with hours of interview footage per project.
- Agencies that show clients several story options before committing to a cut.
- Editors who deliver the same interview at several lengths.